Author Stephen Marche decided to write science fiction with an unlikely co-author: an algorithm. The finished product complete with footnotes explains on how the algorithm helped craft the story.

To the editor: Stephen Marche's fanciful essay on the increase of numerical orientation in literature is both historically questionable and oddly limited to "verse" to make his case.

Pop. 1280 is the perfect noir thriller, featuring a murderous, corn bread-loving sheriff from a small town in the South. Author Stephen Marche explains why the book is genre fiction at its best.

Marche's second book, "Shining at the Bottom of the Sea," is the result: a collection of fiction from Sanjania, an imaginary North Atlantic country, where "[b]ookstalls are as common as fruit ...

Author and journalist Stephen Marche has created the first 'AI- crafted' novella that passes muster as a serious work of literature, but it's not 'AI-generated.' In this interview he explains his ...

The craving for vampire fiction is not a matter of taste but of urges; one does not read or watch it so much as inject it through the eyes, and like any epidemic, it's symptomatic of something ...

And on the fiction shelves, you can pick up a paperback of Omar El Akkad’s 2017 novel, ... Review of "The Next Civil War: Dispatches from the American Future" by Stephen Marche.

But all that has been made new again in the disembodied digital age, according to Marche, 36. "The experience of reading a book is something we're now much more conscious of," he says.

After the ’60s, after Robbe-Grillet, anyone who experimented in fiction was being consciously marginal, or at least countercultural. This Quillblogger, for one, tends to agree with Marche’s overall ...