The former “Baywatch” star’s Best Actress nominations have been the surprise of awards season. Now you can finally see the movie and performance that proves she deserves it.

The actress stars as a dancer at a Las Vegas revue on its last fishnet leg in Gia Coppola’s sensitive and beguiling film.

The intimate character study from director Gia Coppola of two women who find their time in the spotlight fading is a wistful, moving experience

In this episode of The Envelope, 'The Last Showgirl' star Pamela Anderson reflects on her life in the spotlight and John Magaro delves into the making 'September 5.'

This evening’s premiere of the Anderson starring The Last Showgirl at the Chinese Theatre in Hollywood has been cancelled, we hear.

“I’m beautiful,” she says before a friend walks her offstage. “I’m 57, and I’m beautiful, you son of a bitch!”

Gia Coppola's drama gives the pop-culture icon a chance to go deep as a Vegas showgirl taking her final bow. Whether it works is another story

The mob-run city of the mid-20th century gave way to "legitimate" business moguls taking control of the casinos, which in turn led to a pivot toward making the Strip "family friendly," before a return to the "What happens in Vegas, stays in Vegas" mantra in megaresorts run by corporations.

Anderson’s life uniquely prepared her for the role of Shelly, a single mother performing in a Las Vegas revue, struggling to let go of her old life – just as the star that plays her is giddily sheddin

Not a lot happens in Gia Coppola’s wistful character drama “The Last Showgirl,” but it’s an appealing collection of moments, writes Moira Macdonald.

Pamela Anderson says she once feared for her safety during a particularly intense instance of mistaken identity. On Monday’s episode of the “Happy Sad Confused” podcast, the “Baywatch” alum recalled being confronted on a flight by a passenger who’d mistaken her for a member of the Grammy-winning country band the Chicks.