"Steven Soderbergh has made some big films" over the course of his career, from "Ocean's Eleven" to "Erin Brockovich", said Matthew Bond in The Mail on Sunday. "And now, he's made a very small one": a microbudget ghost story "that reportedly took only three weeks to shoot".

Presence' writer David Koepp on the devastating reveal of who is the ghost in the house, working with Steven Soderbergh and returning to 'Jurassic World.'

Stars Callina Liang, Eddy Maday, and West Mulholland speak with ScreenRant to discuss shooting Steven Soderbergh's new POV thriller.

Credit: NEON Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When I think of horror,

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop bleeding.

Directed by Steven Soderbergh (Ocean's Eleven, Contagion) from a screenplay by David Koepp (Jurassic Park, Panic Room), the haunted house chiller is shot entirely from the point of view of a spirit trapped inside a suburban home (i.

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

The film stars Lucy Liu, Chris Sullivan, Eddy Maday, and Callina Liang, and explores themes of trauma, family dynamics, and the supernatural.

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.

From Presence to Ocean’s 11, Soderbergh has directed every kind of movie but none ‘as good as The Third Man’, he says. So he keeps trying.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,